A loud and domineering drummer…but Blakey also listened and responded to the others in the band.

His signature polyrhythmic style was amazing, exuding power and originality, creating a dark cymbal sound punctuated by frequent loud snare and bass drum accents in triplets or cross-rhythms. His collaborations were numerous and include working with equally legendary artists such as Sonny Rollins, Max Roach, Chet Baker, John Coltrane….and countless others.Īrt Blakey was a major figure and a pioneer for modern jazz, he assumed an aggressive swing drumming style early on in his career and is known as one of the inventors of the modern bebop style of drumming. In the decades that followed Blakey recorded for all THE labels that mattered in the field of jazz (Columbia, Blue Note, Atlantic, RCA, Impulse!, Riverside, Prestige, Verve, etc.). He is often considered to have been Thelonious Monk's most empathetic drummer (he played on both Monk’s first recording session in 1947 and his final one in 1971). The American jazz drummer and bandleader made a name for himself in the 1940s and 1950s playing with contemporaries such as Miles Davis, Dizzy Gillespie and Charlie Parker. Organ (Version 3) / Mysteries Of Love 4:11Īrt Blakey (1919–1990) actually needs little introduction. Mount Frank’s Eruption aka Frank (Film Version Without Clarinet) 3:36ġ7. Going Down To Lincoln - Sound Effects Suite 2:12ĩ. Main Titles (From the Motion Picture 'Blue Velvet') 1:25Ģ.

The cover features the original 1986 Italian movie poster art designed by Enzio Sciotti.

The Deluxe Edition packaging features liner notes by Tim Greiving, incorporating new interviews with David Lynch, Angelo Badalamenti, Kyle MacLachlan, and producer Fred Caruso. The long available single LP has been expanded by 60 minutes to a 2 LP Deluxe Edition with the addition of the famous 1963 recording of “Blue Velvet,” performed by Bobby Vinton as well as previously unreleased film cues, alternates and outtakes entitled “Lumberton Firewood.” Although Blue Velvet was scored more traditionally than later Lynch projects, the director and composer intended many tracks to be merely “firewood,” their term for raw orchestral sonorities to be edited and manipulated into sound design by the director. Blue Velvet was Lynch’s first collaboration with his longtime composer and musical partner, Angelo Badalamenti, who channels Lynch’s unique vision with a dark, moody, yet melodic score, at turns agitated and violent, soaring with sublime beauty, and hanging cool with ’50s-style jazz. Blue Velvet is David Lynch’s unforgettable 1986 masterwork, starring Kyle MacLachlan as a curious college student, Isabella Rosselini as a tormented lounge singer, and Dennis Hopper as an emotional gas-sniffing psychopath.

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